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Selasa, 20 September 2011
`Bedil` The Traditional Brunei Cannons
Bandar Seri Begawan - As everyone stood rapt to attention at the Taman Sultan Haji Omar Ali Saifuddien Saadul Khairi Waddien to the national anthem being played, the 21 cannon volleys reverberated throughout Bandar Seri Begawan, marking the beginning of His Majesty The Sultan and Yang Di-Pertuan of Brunei‘s birthday celebrations.
The firing of the cannons by the country‘s Armed Forces is a centuries-old tradition, adopted not just in Brunei but throughout the world.
Not everyone knows the origin of the gun salutes _ and why 21?
It is said that the origin of gun salutes is usually attributed to soldiers demonstrating their peaceful intentions by intentionally placing their weapons in a position that rendered them ineffective.
One way to render cannons "ineffective" was to fire them, as reloading cannons in ancient days was a very difficult affair. Originally, at sea, seven shots were the norm due to superstition and mysticism about the number seven.
However, on land, with more supply of gunpowder, they could fire three guns for every one shot from a ship, so a salute from a ship of seven guns would be answered by a salute from the shore batteries of 21 guns.
With improving gunpowder technology and storage, everyone adopted the 21-gun salute including us in Brunei Darussalam.
Likewise, not everyone knows that cannons were already being manufactured in Brunei at least 500 or 600 years ago. Many cannon moulds have been found at archaeological sites throughout the country.
Historical records also indicate that cannons had been used in Brunei. The historical records of Antonio Pigafetta when he was in Brunei as Magellan‘s chronicler in 1521 stated that "in front of the Sultan‘s palace, there was a thick wall of bricks, with towers in the manner of a fortress on which mounted fifty-six brass and six iron cannons".
!The Bruneian cannons, known in the Brunei vernacular as bedil, are used not just on land but also on board Brunei ships. A record of the Spanish attacks on Brunei stated that the Brunei ships used cannons.
!The origin of the cannons is unknown, they were most probably of Chinese and European origins. The first cannon in Europe probably appeared during the Islamic era in Spain. Brunei cannons probably are more influenced by our relationship with the Chinese Empire.
!In Brunei, the art of casting metals had been in existence for many centuries. As far back as 1225, a visiting Chinese official, Chau Ju Kua, found that the Bruneians had been carrying swords and metal armour made of bronze when attending funerals. It was said that during the era of Sultan Bolkiah, the fifth Sultan, 40 Javanese metal craft experts had been brought back to teach Bruneians their craft.
Cannons played important roles in Brunei‘s history. They were used as Brunei‘s main defences and a good number were positioned at the mouth of the Brunei River and were placed there until the British came to Brunei in 1846.
Some famous cannons bore names, such as Si Tunggal and Si Dewa. These two were taken by the Suluks during the Brunei civil wars and were later taken to Manila. Another well-known cannon during Sultan Bolkiah‘s reign was Si Gantar Alam which was used during the attacks on Luzon and Manila.
The Brunei cannons had their own attributes. In the manufacture of the cannons, the local craftsmen would pay attention to eight main parts of the cannons known locally as the batang (barrel), muncung (mouth), kancing lumba-lumba (trigger), pistaran (sightscope), sumbu dan gargasa (ignition), gamban (barrel end), gaganok (holder) and sangka (holder).
Each part would be intricately designed with Bruneian motifs, thus distinguishing Bruneian cannons from other cannons in the world.
Cannons are not just used for defensive purposes but play important role in the royal courts.
Cannon shots are fired on many important royal events, with different numbers for each event. The highest are obviously events connected to His Majesty the Sultan and Her Majesty Raja Isteri, with 21 shots.
Other events feature 17 shots (for a circumcision ceremony), 16 (for the opening of the nightly vigil ceremony or the anointment of Wazirs) and 7 (for the births of Princes and Princesses).
Royal Wedding ceremonies feature 12 shots fired to mark the beginning of the Royal wedding ceremonies and 17 during the nikah and other occasions.
Brunei cannons were also used in the economy as monetary tokens for payments and the remittance of fines.
A number of exhibits at the Currency Gallery of the Brunei Currency and Monetary Board are miniature cannons between 6 inches and 12 inches long which were used as currency in Brunei in place of coins and other monetary tokens. It was said that the value of these miniature cannons could be as high as $30 (straits dollar) each.
Cannons were used as part of the dowry to be paid. In Belait, a groom had to send a cannon among other items to the bride‘s family. Cannons were also used as tribute payments. When an ‘Orang Kaya‘ - a titled local minister died, landowners had to pay a tribute of a cannon. Cannons were also accepted as replacement of other punishments in some Brunei ethnic cultures.
One interesting use of a Brunei cannon had been found used to mark a grave in Rangas.
Brunei cannons are unique and it is one of our few remaining historical assets.
The author runs a website on Brunei at bruneiresources.comThe Brunei Times
Source: www.bruneitimes.com (23 Juli 2007)
Marketing Won`t Hurt Museums
Brunei-Muara - Brunei‘s museums need to do more to educate people to appreciate the institutions that store the sultanate‘s most precious historical artifacts, some Bruneians said.
Only two out of 10 Bruneians would enjoy history, said Lim Han, a Universiti Brunei Darussalam student. The majority of them would spend their time at the shopping mall or the arcade instead.
Lim, 22, who has visited Brunei‘s museums for more than 100 times, said that Bruneians in general find it "boring" and lack the curiosity to understand Brunei‘s history.
"One of the reasons that the museums do not make an effort to improve, is because Bruneians do not treasure the place," he said, adding that there were instances where the air-conditioner was not functioning during his visits.
The student majoring in primary education, said that when he last visited the museum one week ago, there were only a few tourists and "one or two Bruneians".
He said that he enjoyed going to the museum because "being there to see the display of artifacts, I feel closer to what happened in the past."
Lim suggested the idea of the museums organising annual competitions and inviting children as part of their school excursion trips.
"Most children study history based on the memorisation of facts, rather than fully understanding," he added.
Harpan Hj Yusof, a father of three said that the museums need to improve their image by introducing new ideas on showcasing the artifacts, which signify Brunei‘s rich local and cultural heritage.
"It is a bit sad that most Bruneians are not really interested in the history of Brunei, but would go to The Mall for entertainment purposes," said Mohd Azwan Hj Mahudin.
The Institut Teknologi Brunei student, who last visited the Royal Regalia Building three years ago, said that museums can be a family outing that allow family members to bond.
More information dissemination would help the museums to stimulate interest among Bruneians, he said.
The Brunei Museum in Kota Batu has collections on Islamic art documenting the origins of Brunei‘s culture, military artifacts and a wide range of natural history subjects, particularly the fauna of Brunei Darussalam.
Source: www.bruneitimes.com (23 Juli 2007)
History Of Thailand
The Thais are related linguistically to Tai groups originating in southern China. Migrations from southern China to Southeast Asia may have occurred in the 6th and 7th centuries. According to www.state.gov/r/, Malay, Mon, and Khmer civilisations flourished in the region prior to the arrival of the ethnic Tai.
Thais date the founding of their nation to the 13th century. According to tradition, in 1238, Thai chieftains overthrew their Khmer overlords at Sukhothai and established a Thai kingdom. After its decline, a new Thai kingdom emerged in 1350 on the Chao Praya River.
The first Thai or Siamese state is traditionally considered to be the Buddhist kingdom of Sukhothai was founded in 1238, followed by the decline and fall of the Khmer empire in the 13th _ 15th century AD.
A century later, Sukhothai‘s power was overshadowed by the larger Siamese kingdom of Ayutthaya, established in the mid-14th century. After the sack of Angkor by the Siamese armies in 1431, much of the Khmer court and its Hindu customs were brought to Ayuthaya, and Khmer customs and rituals were adopted into the courtly culture of Siam.
After Ayuthaya fell in 1767 to the Burmese, Thonburi was the capital of Thailand for a brief period under King Taksin the Great. The current (Ratthanakosin) era of Thai history began in 1782 following the establishment of Bangkok as capital of the Chakri dynasty under King Rama I the Great, says wikipedia.org.
Pibul Songgram and Pridi Phanomyang, both educated in Europe and influenced by Western ideas, came to dominate Thai politics in the ensuing years. In 1934 the first general elections were held; a year later Prajadhipok abdicated, and a council of regency chose Ananda (reigned 1935-46) as Rama VIII. Pibul Songgram, a militarist, became premier in 1938. He changed the country‘s name to Thailand and instituted a programme of expansion. Taking advantage of the initial French defeat (1940) in World War II, he renewed Thai claims in Cambodia and Laos. Japanese mediation resulted (1941) in territorial concessions to Thailand. At the outbreak of World War II, Japanese forces attacked Thailand. After five hours of token resistance Thailand yielded to Japan on December 8, 1941, subsequently becoming a staging area for the Japanese campaign against Malaya. Following the demise of a pro-Japanese puppet government in July 1944, Thailand repudiated the declaration of war it had been forced to make in 1942 against Britain and the US, according to www.infoplease.com.
Source: www.bruneitimes.com (23 Juli 2007)
Lectures On Comparative Literature For A New, Radical Perspective
Bandar Seri Begawan - The Southeast Literature Council (MASTERA) will be conducting a series of lectures on comparative literature on July 28 at Balai Sarmayuda, Dewan Bahasa dan Pustaka (DBP) Brunei in the effort to bring a new, radical and pragmatic territorial perspective for local literature in relation with the archipelago context.
Two lectures will be delivered by Prof Dr Abdul Hadi W.M. of Universiti Paramadina, Indonesia in the one-day event.
The opening ceremony of the event will be conducted by Dato Paduka Dr Awang Haji Ismail bin Haji Duraman, the Vice Chancellor ofUniversiti Brunei Darussalam.
The Director of DBP Dr Mataim bin Bakar in his capacity as the chairman of MASTERA of Brunei Darussalam will also deliver a speech.
At the closing ceremony, a speech will be delivered by lecturer Prof Abdul Hadi W.M. who will be presented with souvenirs.
The output of the lectures will be of utmost significance to local researchers of Malay literature in their attempt to compare local works with established regional writers.
The lectures, organised by the Southeast Asia Literature Council (MASTERA) has been conducted annually since 1997 commencing with Dr Sapardi Djoko Damono from Indonesia conducted a lecture, Modern Literature of Indonesia: Hybrid Literature.
Prof Dr Md Salleh Yaapar of Malaysia delivered a lecture on "Literature Comparison and 21st Century Southeast Asia Literature" in 1998.
It was the turn of the late Dr Luisa J Mallari Hall of the Philippines in 1999 when she made a literary comparison between the Philippines and Malaysia.
A Universiti Brunei Darussalam lecturers, Dr Ampuan Hj Brahim bin Hj Tengah, delivered a similar lecture entitled "Brunei Literature as an entity of Southeast Asian Literature" in 2000. Associate Professor Dr Hadijah Rahmat of University Technology Nanyang, Singapore delivered a similar lecture, Malay Indonesian Literature and the Capability of Poet Munsyi Abdullah and Hamzah Fanshuri, in 2001.
In 2002, a lecture entitled Relationship of Malay and Thailand Literature was conducted by Associate Professor Rattiya Salleh,` the deputy head of Thai and Eastern Languages Department and Malay Language course coordinator at the Thaksin university, Thailand.
In 2003, local literature activists listened to such lecture conducted by Dr Budi Darma of Indonesia who delivered "The Anatomy of Comparative Literature".
In 2004, it was the turn of Malaysian Prof Madya Dr Sahlan Mohd Saman to give out such lecture entitled Malaysian Literature in relation with Malay Archipelago Literature.
Prof Madya Dr Hj Hashim bin Hj Abd Hamid of Universiti Brunei Darussalam delivered a series of 4 lecturers in 2005 in relation with the topic "Jalur Sastera Brunei Dalam Sastera Nusantara" (Varieties of Brunei Literature in the Literature of the Malay Archipelago).
Last year it was the turn of Prof Madya Dr. Shahrudin bin Maaruf of National University of Singapore delivering a lecture entitled "Eternal and Dedication in Regional Literature".
Source: www.brudirect.com (23 Juli 2007)
Seeking Fresh Blood at Silat Championships
Bandar Seri Begawan- The 2007 Brunei Darussalam National Silat Championships was officially launched at the Multi pupose hall, Sultan Haji Hassanal Bolkiah Sports Complex in Berakas last night.
Held in conjunction with His Majesty Sultan Haji Hassanal Bolkiah Mu‘izzaddin Waddaulah, the Sultan and Yang Di-Pertuan of Brunei Darussalam‘s 61st birthday celebration, the tournament also acts as a pre-selection process for the national team.
On hand to launch the event was Hj Musa Pengarah Hj Jair, the first deputy vice-president of the Brunei Darussalam National Silat Association (Persib).
The honours of citing the national "pesilat" oath was given to 16-year-old exponent, Nurul Aimi Amalidya Zainidi, who did the country proud at the 2007 World Pencak Silat Junior Championships in Singapore when she bagged the gold medal in the "seni bela diri" category and silver in the "tanding" (class A) category.
Although the official launching was in the evening, the tournament had begun its preliminary matches at 2pm, with the men‘s "tanding" (class A and C), "silat cakak asli"and "kuntau".
The men‘s and women‘s "seni bela diri" matches were held last evening, with the men‘s "tanding" (class B) closing the night.
The "tanding", "silat cakak asli" and "kuntau" categories for both men and women will continue today until July 27.
More than 200 participants are competing this year coming from Brunei-Muara, Tutong, Belait, Temburong as well as the Royal Brunei Armed Forces, Royal Brunei Police Force, Brunei Darussalam Prison Department and Sports School.The Brunei Times
Source: www.bruneitimes.com (23 Juli 2007)
Govt`s Agencies to Hold Cultural Products Weeks 2007
Jakarta - For the first time 12 government agencies with the Chamber Of Commerce and industry (Kadin) and the National Handicraft Council will hold an "Indonesian Cultural Products Week 2007" at the Jakarta Convention Center on July 11-15, 2007.
The activity, which will carry the theme: "A Bunch of Flowers of Indonesian Cultural Products for the World", will present the best handicraft products from various areas in Indonesia.
It will also show traditional food from 33 provinces, arts performance from 5 tourist destination areas and cross-Malay traditions from six regions.
Several provinces that will present performance of arts are East Nusa Tenggara, Nanggroe Aceh Darussalam, Riau, Riau Islands, West Nusa Tenggara, West Sumatra, and West Kalimantan.
Chairman of the Cultural Product Week 2007 committee, Sakri Widianto said the event constitute a meeting site of policy makers, professional associations, businessmen, artists, craftsmen, financial agencies and the community.
"This meeting is important to increase the commitment and synergy in developing cultural products as the strength of national economy," said Sakri.
During the Cultural and Tourism National Coordinating Meeting June 27-29 in Jakarta, President Susilo Bambang Yudhoyono stated that the economic prospect in the fourth wave of civilisation would originate in the cultural wealth, including the legacy of the past that was united with tourism, including ecotourism as one integrity.
"To welcome this matter and to develop the positive image for the Indonesian cultural product in the eyes of the world, we will hold this event in one week time by producing exhibitions, seminars and training as well as performance of cultural art," said Sakri.
Source: www.antara.co.id (23 Juli 2007)
Dikir Barat Way To Instil Patriotism - Zam
Kota Baharu - The Information Ministry will use "dikir barat" (a traditional Malay music) as a medium to instil patriotism for the nation among the people.
Information Minister Datuk Seri Zainuddin Maidin Malaysia`s excellence and glory over 50 years of nationhood could be portrayed with more fervour to the people and the world through the traditional musical performances.
"Besides being entertained, we can educate the people, especially the younger set, on our nation`s rich and colourful history.
"Dikir barat performers can convey these messages to the audience to instil love and affection for our blessed country," he said in his speech at the closing of the national-level Merdeka Dikir Barat Festival here last night.
The text of his speech was read out by ministry secretary-general Datuk Siti Balkish Mohd Shariff.
Zainuddin said dikir barat was no longer considered the culture of the people in the east coast states but a Malaysian traditional culture and arts.
Dikir barat`s uniqueness and richness could be highlighted to evoke patriotism among the audience, particularly the younger generation, he added.
At the festival, Padang Lembik Smart Community emerged champion, winning a RM5,000 cash prize and a certificate, while Nara Merkang Smart Community in Pasir Puteh adjudged runner-up received RM3,000 and a certificate.
Six troupes from Kelantan, Terengganu, Pahang and Perlis took part in the festival.
Source: www.bernama.com (23 Juli 2007)
South Sulawesi: Entering Tana Toraja Via The `Back Door`
Tana Toraja, South Sulawesi - The straps of my backpack cut into my shoulders and my legs ached as I struggled up the last steep rise through the pine trees.
Ahead of me lay another two days of walking along 50 kilometers of mountain track, and I began to wonder if this was a good idea. As the ground levelled and a cooling breeze ran in, a heartening view opened in both directions.
Behind me the long green curve of the Mamasa Valley ran away to the west, and ahead, beyond an army of interlocking spurs and ridges, lay my destination: Tana Toraja.
*****
The highland fastness of Tana Toraja in Sulawesi is famed for its traditional culture. Most visitors arrive by bus or air from Makassar, the capital and main gateway of Sulawesi, but I had decided to slip in through the back door, a route that meant three days of hard walking through remote mountain villages.
From Makassar I travelled north by bus, following the coast road. The blue water of the Makassar Strait shone in the sunlight; inland, knobbly limestone hills rose from the plain.
In the town of Polewali I transferred to a passenger jeep. Soon I was peering out through the mist at high forested hills.
The journey from Polewali to Mamasa is less than 100 kilometers, but the road is a wild one, doubling back and forth up sheer hillsides and dipping into sodden valleys. It took more than five hours, and I reached Mamasa long after dark.
Mamasa town is the capital of the region of the same name, a bustling little place beside a shining river, hemmed in by green hills.
Mamasa is sometimes known as West Toraja, and it shares many characteristics with its famous neighbor across the mountains. There is beautiful upland scenery, a host of traditional villages, and some remarkable architecture.
But Mamasa has no air transport and the road from the coast is terrible. It is far more remote than Toraja, and almost untouched by tourism.
Reaching the summit
The next morning I took an ojek (motorcycle taxi) east along the valley. The mountain air was clear. Horses and buffalo grazed on the cropped pastures between the pine trees. The road deteriorated the further we went, and at the tiny hamlet of Pa`kassasan the driver left me. I shouldered my backpack and started walking.
The track wound gently though villages, some with beautiful traditional houses. The houses of Mamasa are known as banua sura, and are similar to the famed tongkonan of Toraja, decorated in blacks, reds and golds.
Beyond the last village the road began to climb steeply through the creaking forest. I sweated and my pack felt terribly heavy, but eventually I reached a tiny cluster of wooden houses called Pasapa.
The name means "summit" in the local language, and that`s just what it was. I could see Mamasa far behind me, gray cloud now rolling in, and ahead was the road to Toraja.
After a cup of sweet, dark coffee in a little shack by the roadside I set out downhill through the forest to the hamlet of Timbaan where Ibu Maria, a kindly middle-aged lady, runs a simple homestay for passing trekkers.
Timbaan was a peaceful place at the head of a long valley. I sat outside the rickety wooden house resting my tired feet in the afternoon listening to the sounds of the village: children`s voices, the crowing of roosters and the lowing of buffalo from the terraces below the road.
A century ago all the people of the Mamasa area followed their own ancestor-worshipping religion. The first Dutch missionaries did not reach the valley until the 1920s, but as in Toraja the majority are Christian now.
As well as a simple church, Timbaan had a tiny mosque with a rusted steel dome. But there was no electricity here, and no loudspeaker to amplify the muezzin`s call to evening prayer in the purple light of dusk.
`It could have been Scotland`
In the morning I set out downhill. The highland landscape was surreally beautiful, wisps of damp cloud smoking off the hillsides and layers of thin mist clinging to the pine trees.
This was a strange place where tropical and alpine worlds met. I passed through hamlets with palms and banana trees, then entered tall stands of sweet-scented spruce.
At lunchtime, after crossing the Masuppu River and climbing steeply through rice terraces I reached the village of Ponding, the last in Mamasa district. I stopped to chat for a while with Dr Teddy, a charming young Jakarta native. He and another doctor run the little clinic that serves the valley.
I plodded onward uphill. The sun was shining brightly now and the water glittered in the rice fields. The road was in a terrible state, surfaced with jagged, football-sized boulders.
I was astonished that vehicles ever managed to pass this way, and I was happy to be on foot, not bouncing in the back of a jeep. Even so, I was glad when I reached the village of Paku where I stopped for the night in a family home.
Somewhere after Ponding I had crossed the invisible boundary from the new province of West Sulawesi, and I was now on the fringes of Tana Toraja.
Paku was another perfect mountain village, full of gentle sound, and after a simple dinner of rice and fried fish I fell asleep listening to the rain pattering on the tin roof.
It was uphill again in the morning through cool shade. An hour out of Paku I reached a pass where the track was a mess of yellow mud. Here I felt far from the tropics. There were no houses or rice terraces; only mist, pines and a cool breeze. It could have been Scotland.
Indonesia reappeared a couple of hours later as I shambled into the big village of Bittuang. Suddenly after three days walking along a rough track the road surface changed to asphalt, and soon I was sitting in a passenger jeep, racing through the hills towards the Torajan heartland.
Sheer cliffs, epic funerals
Tana Toraja needs little introduction. Sprawling over the mountainous hinterland of South Sulawesi, it stands out even in Indonesia`s spectacular myriad of traditional cultures. Stunning scenery and tumbling rice terraces, villages of remarkable tongkonan houses, sheer cliff faces where mysterious effigies stare out from carved niches, and wild funerals when buffalo are sacrificed combine to make Tana Toraja one of the most fabled destinations in the archipelago.
Arriving on foot through seemingly endless mountains, it was easy for me to see why strong traditions had survived here, cut off from the outside world.
Apart from a brief and unhappy occupation by Bugis warriors from the coast in the 17th Century, Toraja remained utterly isolated until last century.
It was only in the early 1900s that the Dutch colonial authorities fought their way in and took control.
Enthusiastic Protestant missionaries arrived in 1913, but they met with scant success: Two decades later there were fewer than 2000 Torajan Christians, and even at Indonesian Independence the majority still clung to their traditional Aluk Todolo religion, a blend of animism and ancestor worship.
Now the majority in Toraja are Christian, but the new faith has accommodated many old ways. The dead are still buried in caves; effigies, known as tau tau, are still carved and placed in cliff face niches and, most importantly, epic funerals of bloody sacrifice are held every year in the dry months of July and August.
*****
After resting my blistered feet for a night in the busy little market town of Rantepao I hired a motorbike and set out to explore.
Some of the traditional sites around Toraja have been geared up for tourists. At the village of Ke`te Kesu there are souvenir stalls and a ticket booth, and likewise at the cave graves of Londa and Lemo.
But these are no mummified vestiges of a culture. Head out on the network of winding lanes that lead into the hills and you will find that almost every village has a rank of spectacular tongkonan houses.
The buildings are said to represent a boat, with an arched roofline and a high decorated prow and are often adorned with tall columns of buffalo horns, a symbol of status, and protection from evil spirits.
They are always aligned north-south, and are faced by a row of rice barns, carved and roofed in similar style.
I spent a night sleeping in a tongkonan in the cool air of Batu Tumonga, a tiny village high on a mountainside. The views were spectacular, and in the silent darkness the lights of Rantepao glittered far below and a yellow moon rose behind the hills.
In the morning I rode on, often losing my way among the rice fields and stopping in nameless hamlets to admire the buildings and chat with the friendly villagers.
I could have spent weeks exploring the area, but my time was running out. That evening I rode back to Rantepao, and left Toraja, heading back to Makassar the usual way -- by bus!
Getting there
The main gateway to South Sulawesi is the capital, Makassar. The city`s Hasanuddin Airport is well served with links to destinations throughout Indonesia, and a few international flights. Makassar is also a major hub for sea transport.
Buses run regularly from Makassar to Tana Toraja (journey about eight hours) and there are several flights a week by small aircraft to the tiny Pongtiku Airport near Rantepao.
A few direct buses run between Mamasa and the capital, but it`s usually easier to take a bus or passenger jeep to Polewali and transfer there. It`s a long trip, taking about 12 hours.
The track between Mamasa and Bittuang is just about traversable by sturdy four-wheel-drive; a few battered passenger jeeps run intermittently along sections of the route.
However, the road is in an appalling condition, especially between Ponding and Paku. Traveling by vehicle would be no fun at all here -- it`s best to walk and enjoy the scenery.
The Tana Toraja region has a good network of bemo (minibus) routes, and cars and motorbikes are available for hire in Rantepao, both with and without driver.
Accommodation There are a few guesthouses in Mamasa. Matana Lodge is the main hotel, but better rooms in a peaceful location are available at Guesthouse Gereja on the edge of town.
Along the trek from Mamasa to Bittuang there are a couple of organized homestays, such as Homestay Maria in Timbaan. These are simple affairs -- just a bed in a family home.
Villagers along the track are used to seeing trekkers and it is possible to stay with families in most villages. Expect to pay about Rp 50,000 per night, including dinner and breakfast.
Rantepao is the main center for accommodation in Tana Toraja and there is a wide range of hotels and guesthouses. Try the Wisma Maria 1 for cheap, clean rooms, or the nearby Hotel Indra for something a little more expensive.
There are simple guesthouses and a few upmarket hotels in many villages in the area.
Trekking
The route from Mamasa to Bittuang is very simple, and there is really no need for a guide or even a detailed map. Accommodation is available in the villages and simple supplies can be bought along the way.
If you`d rather not carry your own pack, though, guides, porters and horses can be arranged in both Mamasa town and in Rantepao. There are many other trekking routes in Mamasa and Toraja, some of them passing through remote areas. Guides are a good idea for these routes.
Source: www.thejakartapost.com (23 Juli 2007)
Showcase Of Crafts From The Malay Archipelago
Kuala Lumpur - An exhibition on the crafts unique to the Malay archipelago, especially crafts from Malaysia, Indonesia and Brunei Darussalam, is to be held at the Craft Complex here from July 26.
The five day event themed `Craft - A Heritage of the Archipelago` is the fifth edition of the Archipelago Craft Promotions organised through Kraftangan Malaysia by the Ministry of Culture, Arts and Heritage (KEKKWA).
According to the Principal Assistant Director of Kraftangan Malaysia`s Public Relations Department, Faezah Abd Aziz, the event is to showcase the diverse range of crafts available and enhance craftsmanship skills in the region.
Apart from that, the promotion serves as reference point on the craft found in the three nations and provide new ideas for entrepreneurs.
About 160 craftsmen are participating in the event. Apart from craft, culture and arts promotion, visitors will be entertained with fashion and cultural shows.
The exhibition is open to the public from 9.30 am to 7 pm throughout the five days.
Source: www.bernama.com.my (23 Juli 2007)
Traditional Music & Dance Festival
Malaysia- The Traditional Music & Dance Festival will be held for 10 days beginning from July 20, to coincide with the Kuala Lumpur-Festival 2007, which celebrates the beauty and diversity of culture, arts and heritage in Malaysia.
Organised by Central Market, it will present music and dances from various ethnic groups in Malaysia.
There will also be various music and dance workshops for visitors and locals alike. Of great interest will be the angklung performance, an indigenous Malay musical instrument in the form of bamboo shakers, producing musical notes of a percussion variety.
The show will be from July 24 to July 29, from 12pm to 7pm.
The Traditional Music & Dance Festival begins with Multi Cultural Dance Performance on July 21, where children and teenagers will present various cultural dances in Malaysia. The highlight will be the beautiful costumes and performances by these groups of youths.
The next day will see ethnic dances from all over Malaysia, under the banner Ethnic Dance of Malaysia. Here, one is able to view the traditional dances from Sabah and Sarawak by the minority ethnic community such as the Ibans` and the Kadazans`. The dances will be shown in a 30 minute performance at 5pm.
The following Saturday will see the Farmer Night Dance - performance, where probes such as bamboo`s, tempurung (coconut shells)- and wan bulan (traditional kites) will be used by the dancers, to learn some interesting local music and dances.
The workshops will be held on July 21 and July 22, 2007 between 11am to 1pm and 2pm to 4pm. The workshops will be held for angklung, Malaysian Percussion, Malay, Chinese and Indian traditional dances as well as the indigenous orang asli dance.
Source: www.brudirect.com (23 Juli 2007)
Poetry-Writing Competition To Encourage Development Of National Language
Bandar Seri Begawan - The poetry-writing competition, which is part of the activities for the Knowledge Convention (Majlis Ilmu 2007) held in conjunction with His Majesty`s 61st birthday celebration, is still open for registration until July 28.
This year`s theme is "Aqidah Kukuh Membawa Berkat". The objective of the competition is to enliven the activities of the convention.
The competition is also to uphold and develop the progress of Malay language and literature through poetry and to encourage all residents and citizens to appreciate the Malay language. It is also to increase the use of Bahasa Melayu as the country`s official language.
The competition is open to citizens and permanent residents of Negara Brunei Darussalam. Each participant is only allowed to send one entry, which will correspond to one of two categories, A and B.
Category A is open to Form Four up to Form Six students, with each entry containing two poems. Category B is open to the public, with each entry containing three poems. All poems must be the original works of the writers.
The first-, second- and third-place winners in category A will receive B$700, B$600 and B$500, respectively) and three consolation prize winners will receive B$300 each. The first-, second- and third-place winners in category B will receive B$1000, B$800 and B$600, respectively, and three consolation prize winners will receive B$400 each. The closing date for the competition is on July 28 at 3.30pm. Further details can be obtained from the Language and Literature Bureau, Ministry of Culture, Youth and Sports at Old Airport in Berakas.
Source: www.brudirect.com (23 Juli 2007)
Senin, 05 September 2011
Seni Madihin dan Menteri Agama
Jakarta - "Saya menyimak pantun yang disampaikan Syahroni. Kadang diselingi pujian, bacaan shalawat (Nabi Muhammad SAW). Iringan robana untuk pujian ini sangat menghibur," kata SDA, panggilan akrab Suryadharma Ali.
Menteri Agama Suryadharma Ali (SDA) menyampaikan pujian kepada Syahroni, pembawa Madihin, salah satu kesenian asli dari Banjarmasin, dengan cara penyampaian yang khas daerah setempat.
Ciri khas penyampaian Madihin adalah gaya bertuturnya. Menggunakan Bahasa Indonesia, kadang bersyair: memuji sang tamu kadang mengeritik dengan cara berpantun sambil diiringi musik robana, yang juga dimainkan orang yang sama.
Cara penyampaiannya pun -- seperti juga ciri khas etnis Melayu dengan pantunnya -- diutarakan dengan bertutur seperti bernyanyi namun tetap mengindahkan keindahan bahasa dan beretika.
Syahroni (35 tahun), bapak dari dua anak dengan isteri Hj. Mahmudah ini termasuk orang beruntung. Selain menjabat sebagai Kepala Kantor Urusan Agama (KUA) Kurau Plaihari juga memiliki bakat membawakan kesenian Madihin. Syahroni juga dipercaya sebagai penghulu di daerah bekerjanya dan memahami betul kultur dan nilai spiritual, agama Islam di kawasan Pasar Terapung, Banjarmasin.
Ia kerap tampil di berbagai pertemuan resmi, di festival ketika kedatangan tamu "besar" yang perlu dihibur dengan suasana berbeda. Tatkala Menteri Agama Suryadharma Ali berkunjung dan mengadakan silaturahim dengan jajaran Kanwil Kemenag Provinsi Kalimantan Selatan (Kalsel), pada 4 Juni silam, Syahroni mendapat kesempatan tampil di panggug membawakan kesenian Madihin.
Kesenian ini memang menghibur, ujar SDA ketika berbicara di atas podium memberi pujian kesenian itu. "Ada kritik, kadang bernada protes. Ada pujian," ujar SDA. Untungya, Lanjut Menag, Syahroni - pembawa Madihin - tak kenal semua orang yang hadir dalam acara itu. Jika dia tahu satu per satu namanya, maka tentu menjadi arahan pujian, kritikan sambil disebut namanya.
"Bisa sore kesenian ini berakhirnya," kata SDA yang disambut gelak tawa hadirin yang memenuhi ruang pertemuan Asrama Haji di Banjarmasin. "Untungnya dia (Syahroni) hanya kenal lima orang di atas panggung," tambah SDA sambil melepas tawa.
Menurut SDA, jika saja seorang penghulu memiliki kemampuan seperti Syahroni tentu akan cepat kaya. Penghulu yang bekerja di luar jam kantor tentu akan mendapat imbalan sesuai kemampuan keluarga pengantin.
Jika keluarga pengantin mengeluarkan dana pesta perkawinan ratusan juta rupiah , tentu Syahroni akan mendapat lumayan. Dan itu halal. Apa lagi jika diberi kesempatan membawakan khotbah nikah ditambah kesenian Madihin. "Amplopnya tentu tebal,"ujar SDA yang disambut tepuk tangan.
Di Banjarmasin, lanjutnya, kadang di festival, dibawakan oleh dua sampai tiga orang di atas pentas. Cara penyampaian pantut atau syair yang dibawakannya pun dilakukan secara spontanitas.
Kini Syahroni mengaku gembira bahwa pembawa kesenian Madihin mulai bermunculan. Ia menyebut antara lain, H, Jhon Tralala dan Hendra yang mampu membawakan Madihin dengan baik. "Banggalah menjadi orang Banjar memiliki kesenian Madihin. Ayo, mari bersama melestarikannya," katanya.
Sumber: http://oase.kompas.com
Cinta Suci Zahrana: Sisi lain Emansipasi Wanita
Yogyakarta - Suasana perpustakaan UIN Sunan Kalijaga terlihat penuh, kemarin. Mahasiswa memadati ruang seminar untuk ikut mendengarkan diskusi dan bedah buku Cinta Suci Zahrana, dengan penulis buku Habiburrahman El-Shirazy. Habiburrahman El-Shirazy juga dikenal sebagai penulis novel fenomenal Ayat-Ayat Cinta. Selain itu, penulis juga merupakan salah satu penulis sastra melayu Islam yang karya-karyanya menggugah semua yang membacanya.
Dosen Jurusan Ilmu Perpustakaan Fakultas Adab dan Ilmu Budaya UIN Sunan Kalijaga, Dra Labibah Zain, MLIS mengatakan, bedah buku yang dilakukan itu untuk menambah pengetahuan mahasiswa mengenai sastra melayu Islam.
Penulis Habiburrahman El-Shirazy mengungkapkan sedikit isi novel terbarunya yang menceritakan seorang gadis bernama Zahrana. Tokoh Zahrana terlalu memprioritaskan urusan prestasi dan karier hingga lupa untuk menikah.
Sosok Zahrana dalam novel terbarunya ini merupakan wanita yang memiliki prestasi cemerlang. Bahkan sampai mendapatkan banyak piagam penghargaan dari dalam dan luar negeri. Namun saat mempersembahkan kepada orang tuanya, justru yang diinginkan oleh ayah dan ibunya adalah seorang cucu yang artinya adalah sebuah keluarga yang diwujudkan dari sebuah pernikahan.
“Namun Zahrana baru menyadari hal tersebut saat usianya sudah tak lagi muda dan sudah sulit baginya untuk mencari pendamping hidup yang cocok. Ide cerita dari novel ini terinspirasi dari kehidupan di era emansipasi wanita,” tuturnya.
Sumber: http://www.radarjogja.co.id
Mangenta, Tradisi Dayak yang Kian Tergerus
Palangkaraya, Kalteng - Banyak tradisi khas Indonesia yang kian tergerus zaman. Salah satu tradisi di Kalimantan Tengah yang semakin jarang dilakukan yakni mangenta atau memasak makanan tradisional masyarakat Dayak.
Makanan tersebut yakni kenta itu, dulu kerap dibuat nenek moyang Dayak sebagai ungkapan rasa syukur usai memanen padi. Menurut Kepala Subbagian Umum/Perlengkapan dan Kepegawaian Dinas Kebudayaan dan Pariwisata (Disbudpar) Kalteng, Darham S Tuwe di Palangkaraya, Kalteng, Senin (6/6/2011), proses mangenta dimulai dengan merendam beras ketan selama sekitar satu jam.
Setelah itu, beras disangrai dengan tungku di atas kayu bakar hingga matang. Selanjutnya, beras ditumbuk dengan kayu ulin. Sambil ditumbuk, pembuat kenta menggunakan penguir (alat pengangkat adonan agar beras tidak lengket atau menggumpal).
Beras kemudian dibersihkan dari kotoran-kotoran yang masih tertinggal. Kenta pun siap dihidangkan bersama air kelapa, gula pasir, gula merah, dan potongan kelapa muda.
Kenta biasa dimasak masyarakat desa atau kampung beramai-ramai. Biasanya, kegiatan itu dilakukan pada Maret atau April. Mangenta merupakan penerapan kearifan lokal masyarakat Dayak untuk mendahului masa berkembang biaknya tikus, burung, atau serangga pemakan padi.
Upaya tersebut berupaya menekan kerugian akibat hama. Mangenta masih ramai dilakukan pada tahun 1970-an. "Lalu pada era 1980-an mulai berkurang karena jumlah petani semakin sedikit. Sekarang, mangenta sudah jarang dilakukan," ujar Darham.
Kini, banyak orangtua yang tak bisa menjelaskan proses mangenta. Bahkan, tak sedikit dari mereka yang bisa memasak kenta sudah wafat. Karena itu, tak heran jika pengetahuan generasi muda mengenai mangenta terus tergerus zaman.
Sumber: http://regional.kompas.com
Rabu, 24 Agustus 2011
Jumpa Serumpun Melayu Dimulai
Hajat serumpun yang diberi tajuk Seminar Internasional Serumpun Melayu V, Selasa (7/6) dibuka. Kadis Kebudayaan dan Pariwisata Sulawesi Selatan Suaib Mallombassi atas nama Gubernur Sulsel membuka seminar itu di Gubernuran Makassar, disaksikan Rektor Unhas Prof.Dr.dr.Idrus A Paturusi, Wakil Rektor IV Unhas Prof.Dr.Dwia Aries Tina Pulubuhu, M.A., Dekan Fakultas Ilmu Budaya dan Sains Universiti Kebangsaan Malaysia (UKM) Prof.Dr.Zulkifli Hamid, Dekan Fakultas Ilmu Budaya Unhas Prof.Drs.Burhanuddin Arafah, M.Hum, Ph.D. dan sejumlah dosen kedua perguruan tinggi.
Seminar hingga 13 Juni 2011 itu diikuti sekitar 300 peserta, membahas sejumlah malakah yang dilaksanakan secara paralel di Kampus Unhas Tamalanrea.
Acara pembukaan sendiri dimeriahkan dengan atraksi dari komunitas Tionghoa di Makassar yang cukup mengesankan, selain acara ‘pepe-pepe’ dan sejumlah tradisional Sulawesi Selatan. Acara diakhiri dengan penyerahan cinderamata.
Sumber: http://www.unhas.ac.id
Arkeolog Asing Sesalkan Rusaknya Situs
Medan, Sumut - Arkeolog berkebangsaan Inggris, Dr. E McKinnon, menyesalkan terjadinya perusakan terhadap Situs Benteng Putri Hijau yang berada di dusun 11 Desa Delitua Namorambe, Kabupaten Deli Serdang, Sumatera Utara, oleh pihak pengembang.
"Arkeolog berkebangsaan Inggris yang sejak tahun 1972 telah melakukan penelitian di situs tersebut mengaku sangat prihatin terhadap tindakan perusakan tersebut," kata staf peneliti Pusat Studi Ilmu Sejarah dan Ilmu-Ilmu Sosial (Pussis) Universitas Negeri Medan (Unimed), Erond Damanik, di Medan, Senin (6/6/2011).
Bahkan, lanjutnya, atas keprihatinan tersebut, McKinnon yang biasa disapa dengan Pak Ed itu menyurati Direktur Peninggalan Purbakala Kementerian Kebudayaan dan Pariwisata Yunus Satrio Atmadja dan Kepala Pusat Penelitian dan Pengembangan Arkeologi Nasional Tony Djubiantono.
"Surat keprihatinan atas perusakan situs tersebut disampaikan McKinnon melalui e-mail dan di cc-kan ke Pussis-Unimed," katanya.
Dalam suratnya itu, lanjut Erond, McKinnon juga mengirimkan beberapa foto yang diambil pada tanggal 1 Juni 2011 terkait perusakan situs Benteng Putri Hijau (BPH).
Arkeolog yang mengabdikan diri pada penyelidikan arkeologi di Sumatera sejak tahun 1970 itu menyebut bahwa kerusakan yang terjadi di BPH tersebut dilakukan oleh pengembang perumahan swasta.
"Menurut keterangan masyarakat setempat, kerusakan benteng ini telah terjadi sekitar sebulan yang lalu. 200-300 meter benteng tanah sebelah utara situs tersebut telah dibuang ke sawah dan sekitar 300 meter benteng sebelah barat telah dikorek hingga mengalami kerusakan berat," katanya.
Pada areal yang telah diratakan untuk bangunan perumahan itu, lanjutnya, tampak beberapa lokasi di mana ada tanah hitam yang mengandung pecahan keramik, termasuk yang dari masa Yuan (1279-1368).
"Kalau boleh kami anjurkan agar supaya ada ekskavasi darurat oleh Balai Arkeologi Medan di lokasi ini agar kita bisa menentukan masa okupasi dari bagian situs ini. Lokasi yang sangat penting ini perlu dilindungi segera," katanya.
Kepala Pussis-Unimed Ichwan Azhari juga sangat menyesalkan tindakan perusakan terhadap situs tersebut, bahkan ia juga mengkritik tokoh-tokoh Melayu di Sumut yang hingga saat ini masih bungkam. Padahal, yang dirusak tersebut adalah salah satu jati diri orang Melayu di Sumatera Utara.
Sumber: http://oase.kompas.com
Selasa, 23 Agustus 2011
Wisata Ziarah Tak Pernah Sepi
Jakarta - Makam-makam tokoh tertentu ternyata bisa mendatangkan wisatawan dan memberikan pemasukan untuk daerah. Seperti makam Wali Songo di Jawa Tengah yang tak pernah sepi dari peziarah. Menurut Kepala Dinas Kebudayaan dan Pariwisata Jawa Tengah Prasetyo Aribowo, di Jawa Tengah terdapat tiga makam sunan dari Wali Songo.
"Di Kudus ada Makam Sunan Kudus dan Sunan Muria. Di Demak ada makam Sunan Kalijaga. Ini yang datang wisatawan asing dan wisatawan domestik," ungkapnya kepada Kompas.com via telepon, Sabtu (4/6/2011). Ia menuturkan, dalam semalam, makam-makam ini dikunjungi oleh lebih dari tiga bus.
"Kalau lagi high season, bisa 50 bus. Ini angka yang besar. Tapi, paketnya belum ada. Kami meminta dari ASITA untuk membuatkan paket. Kalau wisatawan asing yang datang, banyak dari Malaysia dan Brunei," ungkapnya. Ia menambahkan wisman yang datang, selain berfoto-foto, juga melakukan ziarah.
"Kalau wisatawan domestik, ziarah dan berdoa juga tapi lebih lama. Kalau wisman, hanya sebentar doa dan lihat-lihat. Kalau orang kita, bisa sampai menginap atau di sana sampai berjam-jam," lanjutnya.
Sementara itu, pada kesempatan lain Direktur Produk Pariwisata Kementerian Kebudayaan dan Pariwisata Achyaruddin menuturkan, konsep wisata ziarah adalah berkunjung ke suatu tempat yang memiliki nilai historis secara kacamata budaya dan agama.
"Berarti wisata ziarah ini ke peninggalan-peninggalan sejarah dan budaya seperti Candi Borobudur. Kalau dari sisi agama, makam Wali Songo termasuk. Hal ini berlaku untuk semua obyek yang diziarahi yang ada di Indonesia. Termasuk makam Belanda di Indonesia. Itu banyak yang diziarahi dan dibantu oleh Pemerintah Belanda untuk perawatan dan penataan. Beberapa makam Belanda itu ada yang di Aceh, Ancol, dan Tarakan," tutur Achyaruddin.
Peziarah yang datang biasanya memiliki kedekatan dari sisi historis atau leluhur. Ia menambahkan, ada beberapa orang yang merasa tidak perlu melakukan ziarah, tetapi ada pula pemahaman tertentu yang merasa perlunya melakukan ziarah. Itu karena, lanjutnya, ziarah dapat menjadi sarana untuk mengingat sejarah. Misalnya, katanya, ziarah ke makam Wali Songo bisa untuk mengingat luar biasanya peran Wali Songo dalam menyebarkan Islam di nusantara.
"Ziarah ini dibenarkan selama peziarah tidak meminta sesuatu ke makam. Itu bukan konsep yang dikembangkan untuk wisata. Kami terus mengembangkan paket-paket yang menyusun produk wisata ziarah. Juga ada kerja sama antarnegara untuk peninggalan-peninggalan budaya. Di ASEAN ada istilahnya TOC atau trial of civilization. Misalnya hubungan antara Angkor Wot di Kamboja dan Candi Borobudur," kata Achyaruddin.
Kedua obyek ini, lanjutnya, didesain agar informasi tentang Angkor Wot ada di Candi Borobudur dan sebaliknya, informasi mengenai Candi Borobudur ada di Angkor Wot. Ia mengatakan, kerja sama ini sudah ada sejak 2007 dan masih perlu terus dibangun.
"Nanti, Jawa Tengah mau membangun informasi fisik tentang Angkor Wat. Begitu juga sebaliknya. Itu karena di dinding Angkor Wat ada relief tentang Ramayana. Nah, kalau wisatawan mau lihat live-nya, silakan datang ke Candi Prambanan untuk menonton Sendratari Ramayana," jelasnya.
Sumber: http://travel.kompas.com
Komodo Diusulkan Menjadi Ikon Asean
Jakarta - Komite Nasional Pemuda Indonesia (KNPI) akan mengusulkan komodo sebagai salah satu ikon Asean Community 2015 karena menjadi satu-satunya sisa binatang purba di dunia.
"Komodo bukan hanya milik Indonesia dan Asean, tapi juga warisan dunia karena itu kami akan usulkan dalam forum kepemudaan di kawasan regional maupun internasional agar jadi ikon bersama," kata Ahmad Doli Kurnia, Ketua KNPI, tadi malam.
Dia berbicara ketika menerima 24 pemuda Asean peserta Asean + 3 Inventors Expo 2011 di lobi Trans TV untuk menghadiri Pameran Foto Komodo dan pemutaran film bersama pakar komodo, Putra Sastrawan.
Doli mengatakan di forum internasional sebelumnya yang digelar KNPI pada Febuari lalu yaitu International Youth Forum on Climate Change, pihaknya juga membawa peserta ke Pulau Komodo untuk menyuarakan pelestariannya sebagai binatang yang masih eksis sejak 60 juta tahun lalu dan hanya di Indonesia.
Doli, yang juga wakil ketua World Assembly of Youth (WAY), mengatakan pihaknya menyambut gembira kegiatan yang digagas kantor Menpora dan Universitas Budi Luhur untuk memberdayakan generasi muda Asean melalui hasil kreasi dan inovasi.
"Menarik sekali ada upaya dari masyarakat sipil Asean untuk membangun kerja sama yang positif dalam pengembangan sumber daya manusia Asean dalam hal peningkatan wawasan dan pemanfaatan tekhnologi tepat guna."
Menurut Doli, kesadaran pertemuan seperti ini penting untuk membangun komunitas Asean yang lebih kuat dan saling memiliki. Apalagi tugas itu bukan hanya di tangan pemerintah di negara-negara Asean.
Halida Hatta, corporate secretary Trans TV, mengatakan pameran foto komodo karya jurnalis kerjasama dengan Yayasan Komodo Indonesiaku adalah upaya menyuarakan pada dunia dengan keunikan flora dan fauna RI
"Keunikan fauna bukan hanya di Pulau Komodo tetapi juga di Garis Wallace yang melalui Kepulauan Melayu antara Kalimantan, Sulawesi, Bali Barat dan Lombok Timur. Program-program TransTV banyak mengenai mengeksplore kekayaan alam Indonesia," tandasnya.
Sementara itu, Linda Islami, dosen yang juga Public Relations Manager Universitas Budiluhur mengatakan Asean+3 Youth Inventors Expo 2011 diikuti perwakilan negara Asean plus China, Jepang dan Korea Selatan.
"Kegiatan berlangsung 5-9 Juni 2011 di tiga tempat yaitu kampus Universitas Budi Luhur, Museum Asia-Afrika Bandung dan Pusat Penelitian & Pengembangan Tekhnologi Serpong," katanya.
Dua peserta dari Thailand, Azima, tercatat sebagai mahasiswa tamu di Universitas Pakuan, Bogor dan Doan Hai Hoang dari Vietnam yang kuliah di President University Cikarang merasa gembira bisa bergabung dengan peserta dari negaranya masing-masing dalam forum pemuda ini.
"Membangun komunitas Asean memang harus memperkuat jaringan kerjasama di kalangan pemudanya sehingga jadi komunitas yang kuat.
Di Vietnam, ujarnya, ada sedikitnya 21 investor yang membangun usaha termasuk Grup Ciputra. Entrepreneurship akan menjadi jembatan memperkuat Asean pula.
Sumber: http://www.bisnis.com
Batik Indonesia Dipamerkan di Athena
London, Inggris - Pameran Batik bertema "Sebuah Perjalanan Menuju Jantung Seni dan Budaya" digelar Wali Kota Maroussi dan Kepala Pusat Kebudayaan Maroussi mengundang perhatian warga Yunani yang mengawali kegiatan musim panas setiap tahun di Kota Athena .
Wali Kota Moroussi Giorgios Patoulis dalam sambutan pembukaan pameran yang dihadiri Duta Besar RI untuk Republik Yunani, Ahmad Rusdi, merasa bangga atas pameran barang kerajinan dan seni Indonesia maupun Yunani yang dilakukan di wilayahnya, ujar Sekretaris Kedua KBRI Athena Widya Sinedu kepada Antara London, Selasa.
Wali Kota Giorgios juga menyampaikan apresiasinya dan penghargaan kepada KBRI Athena yang mendukung suksesnya pameran ini, sehingga acara ini dari tahun ke tahun baik dari segi kreatifitas tampilan barang maupun pesertanya terus meningkat.
Pameran yang diadakan dari tanggal 6 Juni hingga 9 Juni mendatang dikunjungi murid, orang tua, pejabat dan warga setempat dengan memamerkan puluhan hasil karya kombinasi tehnik membatik dan seni terapan kontemporer khas Yunani.
Pameran Batik dalam karya seni terapan merupakan salah satu kegiatan yang diselenggarakan secara rutin dengan menampilkan bahan-bahan daur ulang yang disulap menjadi karya seni yang indah.
Duta Besar Ahmad Rusdi, yang merupakan diplomat karier dan putra pengrajin batik asal daerah pesisir Pekalongan merasa kagum dan bangga atas keahlian Ms. Eleni Grafakou, mantan peserta Program Dharmasiswa tahun 2006-2007, yang berhasil mempelajari tehnik membatik di Indonesia selama setahun.
Ms. Eleni Grafakou mendirikan Sekolah Seni bersama orang tuanya yang diikuti ratusan murid dari berbagai usia di Pusat Kursus Seni Terapan di wilayah Maroussi, Athena.
Di hadapan 300 undangan Dubes Ahmad Rusdi secara spontan menyampaikan penghargaan dan sekaligus mengundang Eleni Grafakou, untuk mengunjungi Indonesia kembali dan sekaligus diharapkan dapat menghadiri Kongres Internasional Batik yang diadakan di Jakarta pada akhir tahun .
Pada kesempatan tersebut Dubes menawarkan program Dharmasiswa bagi para undangan yang hadir untuk dapat memanfaatkan kesempatan belajar seni, tari dan bahasa di Indonesia.
Ia juga mempromosikan kekayaan dan keindahan obyek wisata Indonesia yang sangat menarik dan menakjubkan serta mengajak warga Yunani untuk berkunjung dan melihat Indonesia secara langsung.
Pada kesempatan pameran ini, batik hasil karya Ms. Eleni Grafakou beserta murid-muridnya berupa hiasan dinding, taplak meja, pakaian jadi seperti blouse dan kaos, syal, serta selendang dengan berbagai warna warni yang umumnya bermotif orang, gambar binatang dan ikan serta bernuansa motif kontemporer ditampilkan dengan menarik menarik perhatian pengunjung.
Tampilnya batik di pameran ini juga mendominasi sudut-sudut aula Pusat Kebudayaan Maroussi yang telah disulap menjadi ruang pameran kesenian yang dipadukan dengan hasil karya seni murid lainnya berupa perhiasan, pernak-pernik serta dekorasi untuk rumah tangga dan perkantoran.
Pameran batik yang diprakarsai Ms. Eleni Grafakou dengan mendapat fasilitas dari Walikota Marousi dan didukung KBRI Athena merupakan wujud dan jalinan hubungan yang lebih nyata.
Kegiatan kerja sama seperti ini diharapkan dapat meningkatkan persahabatan antara Indonesia-Yunani dalam bidang Kesenian dan Kebudayaan, sehingga melalui pameran tersebut warga setempat dapat mengenal Indonesia secara lebih dekat.
Beberapa undangan yang hadir pada acara pembukaan tersebut menyatakan pernah berkunjung ke Indonesia dan secara langsung menyampaikan kekaguman atas keragaman seni dan budaya Indonesia, adat istiadat hingga keramahan penduduknya.
Upaya Perwakilan RI di luar negeri dalam meningkatkan citra positif Indonesia sebagai bangsa yang kaya akan seni dan budaya di Yunani terus dilakukan, tidak hanya dengan mempromosikan batik sebagai warisan dunia non-benda yang telah diakui oleh UNESCO, tetapi juga mengenalkan cara mempraktekan ataupun tehnik membatik dengan mendatangkan pengrajin dari Pekalongan.
Pada April lalu, KBRI Athena menyelenggarakan Batik Workshop di Athens School of Fine Arts, diikuti siswa dari Universitas dan kepada Women International Club di Athena, Yunani yang diikuti isteri Duta Besar dan pejabat serta seniman setempat dengan mendapat dukungan Direktur Jenderal Pemasaran Kementerian Kebudayaan dan Pariwisata RI.
Sumber: http://id.custom.yahoo.com
Ayo, Tonton Festival "Urban Art" di GKJ!
Jakarta - Dalam rangka HUT ke-484 DKI, Gedung Kesenian Jakarta (GKJ) secara rutin menggelar acara bertajuk Jakarta Anniversary Festival. Di tahun IX penyelenggaraannya, Jakarta Anniversary Festival mengambil tema "Urban Art". Acara ini berlangsung dari tanggal 3 Juni hingga 2 Juli 2011. Sebagian besar karya yang meramaikan perhelatan Jakarta Anniversary Festival ini berupa tarian.
"Tema Urban Art ini akan menyuguhkan beragam kesenian, mulai dari kesenian tradisi, klasik, alternatif, hingga kontemporer," kata Direktur Gedung Kesenian Jakarta Bambang Subekti di Jakarta, Minggu (5/6/2011).
Sembilan kelompok seniman dan seniwati berjiwa muda akan tampil bergantian sesuai jadwal pertunjukan. Saat pembukaan, 3 Juni 2011, Namarina Youth Dance menawarkan 7 Veils and Dreams yang terinspirasi dari kisah Joko Tarub. Pada hari Minggu (5/6/2011) kemarin, sejumlah mahasiswa Fakultas Ilmu Budaya Universitas Indonesia yang tergabung dalam kelompok tari Shivanataraja berkolaborasi dengan kelompok musik Kunokini. Sekumpulan anak muda ini menampilkan sederetan tarian tradisional dibalut dengan musik etnik mistik khas Kunokini.
"Jakarta Anniversary Festival ini merupakan program andalan dari GKJ. Sekaligus ikut meramaikan HUT DKI. Semoga pergelaran ini dapat memberi nuansa dan ekspresi seni yang lebih segar," tutur Bambang.
Selain dua kelompok yang sudah tampil, masih ada tujuh kelompok yang akan meramaikan. Anda tertarik? Berikut ini jadwal pertunjukan Jakarta Anniversary Festival.
- 12 Juni: Ikatan Pengajar dan Pelatih Ballet "LIV’IN"
- 15 Juni: Sak Sak Dance Production "Lampan Lahat dan Perempuan Rusuk Dua
- 18 Juni: Konser Jazz Shadow Puppets Quartet "Strings Attached Concert Series"
- 19 Juni: Tari dan World Music Concert Swargaloka Art & Culture Foundation "Jejak Asa Sang Dewi"
- 22 Juni: Bellydance Jakarta "Bahebbik Jakarta-I Love You Jakarta"
- 24-25 Juni: Teater Mandiri "T R I K"
- 1-2 Juli: Drama Tari "Gandrung Eng Tay" Dedy Lutan Dance Company
Semua pertunjukan ini dimulai pada pukul 20.00 WIB.
Sumber: http://megapolitan.kompas.com
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